We Aren’t Kids Anymore is a new musical by Drew Gasparini, who has so much passion for the art he is creating and the relatable stories WAKA are telling about being human and the struggles we all face behind closed doors.

Translating a beloved story is no easy feat, but creators Kait Kerrigan, Jason Howland and Nathan Tysen double down on the Jazz Age setting to boast a large scaled glitzy production that floods the huge Coliseum space with an explosion of energy that is rarely seen in the West End.

The Lyric Hammersmith’s striking new production of Ghosts is a deeply affecting adaptation of Henrik Ibsen’s classic, delivered through a bold contemporary lens.

Shanghai Dolls leaves a lasting impression and a desire to learn more about the real women behind the story. A thought-provoking piece with promise—even if it didn’t fully land.

The lighthearted story has multiple twists and turns, as well as some deeply moving moments all culminating in a piece of theatre which not only is excellent, but a clear demonstration of all the things which makes musical theatre the thing I love.

Serving up laughter, chaos and entertainment in equal measure, Faulty Towers: The Dining Experience is a loving tribute to John Cleese and Connie Booth's iconic series.

Ainsworth and Tobin deliver believable, grounded performances, seamlessly shifting between joy, tension, and conflict. […] Their ability to inject comedy into such heavy themes is a welcome and effective counterbalance.

Whether you're a long-time fan or experiencing Dear Evan Hansen for the first time, this tour offers a deeper understanding of why this broken boy makes the choices he does — decisions born from good intentions but ultimately tangled in deception.

The entire production feels re-invigorated, with the cast bringing […] endless swagger and soul to the stage, with updated vocal choices and dialects adding further originality to a musical which simply gets better with every visit.