Naturally the absolute standout element was the most beautiful score by Dave Stewart and Glen Ballard. It's one that fills you with bubbles of joy and longing and determination all at once.

The spotlight was firmly on Starlight Express who simply couldn’t be de-railed! They took home a whopping 7 awards matching Lloyd Webber’s Sunset Boulevard from last year.

Kerry Ellis received a much deserved standing ovation after ripping the roof off the Savoy with her rendition of “Always Starting Over”!

I must urge everyone to read ALL the content warnings fully before booking tickets, as there is one scene in particular which has gained significant attention online due to the intense audience reactions.

Elektra feels as though Fish has taken the interpretive meaning to another level, stripping so much of the bones of the play away, that what’s left is a mismatched mess of a production.

This is a powerful examination of a woman once relegated to the background, bringing Mary Lincoln into the spotlight as she finds her voice, asserts her agency, and reclaims the power that was once stripped away.

Each scene feels as though you are witnessing a piece of artwork come to life before your very eyes, as Tom Visser’s powerful lighting design illuminates the stage with grace.

Norris' play is deeply moving and piercingly funny, cleverly exploring the idea of feeling like a runner-up in life and the terrible impact it can have.

As a concert, the production was of high quality, with lavish costumes and a beautiful set. The music was entrancing, with sweeping melodies and soaring ballads that left me with goosebumps.