The Producers
Mel Brooks' magnificent musical still hits all the right notes in this laugh-a-minute revival. From hilarious one-liners to camp choreography, courtesy of Lorin Latarro, Patrick Marber's dazzling new production bursts at the seams with star quality on the upgraded larger stage of the Garrick Theatre.
Deaf Republic
For all its theatrical achievements, Deaf Republic warrants enormous praise for its successful promotion of deaf theatre and the importance of accessibility. The hearing audience is repeatedly challenged to consider how other productions could - and should - have been adapted to embrace and celebrate accessibility.
The Animator
The highlight was, without doubt, the silhouette animations themselves. Used for scene transitions, atmosphere, and storytelling, they were beautiful to watch and captured the spirit of Reiniger’s work perfectly.
Secret Cinema: Grease
Mixing choreography from the film with original set pieces, Weber energetically transports audiences for each jaw-dropping number. 'Grease Lightning' and 'Born to Hand Jive' are notable standouts which had the crowd jumping to their feet to dance, clap and sing-along with this incredible ensemble.
Anne Boleyn The Musical
This immersive production by Historalia blends musical theatre with living history in a way that simply wouldn’t work on a traditional stage.
The Daughter of Time
It’s a classic British crime drama with a love story thrown in for good measure alongside some odes to Shakespeare and some ever so British stereotypes.
101 Dalmatians
It goes without saying that Sydnie Christmas can PERFORM. She embodies the iconic character of De Vil well, wicked laugh and all. Her acting is meritable for the most part, it's just a shame the material provides no room for her to truly shine.