Dracula is a wildly entertaining night of theatre unlike anything else in the West End today, combining incredibly unique direction with a good performance from Erivo, leaving plenty for audiences to sink their teeth into.

What made the evening was the fans. A stage filled with shadow cast members performing as their favourite characters was a joyous addition.

The Tony Award winning musical comedy makes its long-awaited return to London after a 20-year hiatus, with a fresh new cast puppeteering the raunchy mischievous chaos.

In a company of decidedly mixed talent, everyone gives their all on stage and the multiroling is generally effective.

Sara Bareilles's musical score is full of beautiful music and soul-touching harmonies, perfectly paired with Jessy Nelson's heartfelt, well-crafted book.

This is a difficult, emotionally fraught piece of theatre, tackling fragile themes with no easy resolutions […] Excellently performed, admirably bold, but a very hard watch.

Sure, the production is guilty of veering from wholesome to mawkishly twee but it’s hard begrudge when you’re having this much fun.

A global pop superstar hires a former Secret Service agent to protect her from a dangerous stalker in this stage adaptation of the 1992 feature film, The Bodyguard.

From the first song to the final bow, the show is packed with pitch-perfect dedications to the series' most iconic moments.